GWDIS, Xylophone Man
If you live in New York and use the subway, than you're familiar with the subway musicians. Clogging up the platforms with spectators from Ohio, they usually butcher some melody to the point where you and a couple of strangers pool your money and toss it into the guitar case/old hat/coffee cup and ask for them to stop playing. When they refuse, you stand on the platform and pray for the ungodly screech of the downtown 6 to obliterate your hearing and save you from the fifth drummer/guitarist/"Lean on Me" singer you've heard since 8:00am.
Yeah, okay. It's not always terrible. If good for nothing else, you can always bide your time between stepping defiantly over the yellow line (No Mom, no one is going to push me in front of the train. Yes, I read about that guy in the paper. No, I don't think I'm going to slip because A) I do not live in a Jennifer Lopez movie and B) I am not trying to drunkenly leap across the rails to impress a "hot chick.") and casually looking for Guy Who Dances in Subway.
GWDIS is that one guy, usually young, a bit hipster, who is WAY into the MUSIC and thinks that it's SO ANTI-ESTABLISHMENT to be ROCKING OUT on a platform instead of GETTING A JOB. You can recognize an imminent GWDIS by observing from a safe distance as the head begins to move up and down, allegedly to a "beat." The "beat-bopping" will eventually spread like an infection, from the head down through the limbs, and a wrist will activate as a hand starts slapping a pocket. Once the knees shift, it's all over. Clear the area. At least a 10-foot radius must be given to the GWDIS, as he is "comfortable" with "expressing himself" in public. Observe the way his entire body trembles, like a slow-motion siezure with vertical ambitions. Avert your eyes if you must, but you may miss out on a prime mocking opportunity, which may be the only way of salvaging your time spent waiting for a train.
Of course, I've always believed that GWDIS could and would develop a spiritual connection with all subway musicians. And then, on the L platform last night, I discovered Xylophone Man.
Okay. I was going to try to preface this with something, but... just... yeah. It's a xylophone. Who plays the xylophone, dude? What are you doing? The xylophone is something that they put in the kiddie section of the playground. Yes, the kiddie section. The four-and-under section. I mean, if you've been in the presence of a xylophone beyond the age of six, have you ever thought about using it? Really? Like, man, now that's an instrument I've always wished I could play. Does anybody put that on their list of, you know, Things to Do By My Thirtieth Birthday? A xylophone? What?!? Not to mention the sheer aggravation of lugging the thing anywhere, especially two levels down to the Union Square L train. Seriously? The drum guys don't even bother, and all they have to do is turn over four buckets.
Yet... the xylophone was sort of, um, unobtrusive I guess? The soft plinking faded into the background with a soothing quality that gently steered my thoughts from the day's workload to the piece of cake in my refrigerator at home. And, well, I did enjoy the way XM mixed things up by transitioning seamlessly from Joplin's The Entertainer into Bach's Zerreißet, zersprenget. And with no GWDIS in sight...
Well-played, xylophone man. Well-played indeed.
Yeah, okay. It's not always terrible. If good for nothing else, you can always bide your time between stepping defiantly over the yellow line (No Mom, no one is going to push me in front of the train. Yes, I read about that guy in the paper. No, I don't think I'm going to slip because A) I do not live in a Jennifer Lopez movie and B) I am not trying to drunkenly leap across the rails to impress a "hot chick.") and casually looking for Guy Who Dances in Subway.
GWDIS is that one guy, usually young, a bit hipster, who is WAY into the MUSIC and thinks that it's SO ANTI-ESTABLISHMENT to be ROCKING OUT on a platform instead of GETTING A JOB. You can recognize an imminent GWDIS by observing from a safe distance as the head begins to move up and down, allegedly to a "beat." The "beat-bopping" will eventually spread like an infection, from the head down through the limbs, and a wrist will activate as a hand starts slapping a pocket. Once the knees shift, it's all over. Clear the area. At least a 10-foot radius must be given to the GWDIS, as he is "comfortable" with "expressing himself" in public. Observe the way his entire body trembles, like a slow-motion siezure with vertical ambitions. Avert your eyes if you must, but you may miss out on a prime mocking opportunity, which may be the only way of salvaging your time spent waiting for a train.
Of course, I've always believed that GWDIS could and would develop a spiritual connection with all subway musicians. And then, on the L platform last night, I discovered Xylophone Man.
Okay. I was going to try to preface this with something, but... just... yeah. It's a xylophone. Who plays the xylophone, dude? What are you doing? The xylophone is something that they put in the kiddie section of the playground. Yes, the kiddie section. The four-and-under section. I mean, if you've been in the presence of a xylophone beyond the age of six, have you ever thought about using it? Really? Like, man, now that's an instrument I've always wished I could play. Does anybody put that on their list of, you know, Things to Do By My Thirtieth Birthday? A xylophone? What?!? Not to mention the sheer aggravation of lugging the thing anywhere, especially two levels down to the Union Square L train. Seriously? The drum guys don't even bother, and all they have to do is turn over four buckets.
Yet... the xylophone was sort of, um, unobtrusive I guess? The soft plinking faded into the background with a soothing quality that gently steered my thoughts from the day's workload to the piece of cake in my refrigerator at home. And, well, I did enjoy the way XM mixed things up by transitioning seamlessly from Joplin's The Entertainer into Bach's Zerreißet, zersprenget. And with no GWDIS in sight...
Well-played, xylophone man. Well-played indeed.
